I am a Dancer Who Paints. In early childhood, while on stage in a dance performance, people noticed my coordination and put me in a ballet class in York, PA taught by a member of the Pennsylvania Ballet, Sherry Lee Grim, who also performed with the National Ballet of Washington D.C. There are news articles covering these facts. She assessed me as a future professional dancer and insisted that I take class four days a week. Assessing that I had natural core stability, coordination and balance, she also put me on point at only nine — three years younger than the usual age of twelve — but in my pre-teens she suddenly stopped teaching. In York, PA, there was no other serious ballet coach. My Dad, a talented musician, wanted me to focus on music. Also assessed as a future professional musician, I had started giving piano recitals in childhood, as well. However, I did not enjoy sitting still on a piano bench for more than five minutes, or playing classical music, or any music composed by someone else. I could also paint and draw at an advanced level before I had formal visual art training. I made the above drawing of my pointe shoes in my pre-teens, before I had formal art training. From my own natural athletic coordination, ballet muscle memory, and musicality, I can paint and draw athletes-in-motion accurately — without having to "think" about it.

Anyone attempting to falsely label me as the "thinking jew" or "funny jew" — and assassinate my natural femininity at the same time — is an ENVIOUS DOG — with less natural talent and physical grace than "The Jewish Girl" — and that includes self-loathing Jewish people who also try to force "intellectual, funny jew" stereotypes on me. To EVERY jealous hater: You would lose conspiracy against rights and defamation cases in a court of law.

There are multiple dance professionals alive today who assessed me from my childhood to my teens — even seeing me move after years of not being able to train — as someone with the talent to dance professionally. Moreover, as recently as 2020, a sports medicine MD, affiliated with NYU Langone's Harkness Dance Center, assessing me move on point, told me (in my late 50s) that my core stability is so good, and am so physically young, that I can dance on point now, something they do not recommend to even full-time professional ballerinas older than 40. The sworn testimony of these dance and medical professionals can be provided.